“North Of North” (S​/​T) (_offcompass_, 2018)

“North Of North” was released by “_offcompass_” label on April. Album was recorded by “North of North” trio – it’s Anthony Pateras (piano), Scott Tinker (trumpet) and Erkki Veltheim (electric violin). Three great musicians had been playing together many years. The main part of performances and compositions, which are played by this trio, are original compositions and free improvisations. The trio plays masterful and vivacious interpretations – it’s full of life, energy and have vivacious and innovative sound. The music by “North of North” always is full of contrasts – musicians masterfully twisting together wide range of music styles. Cornetic music, modernism, eclectic stylistic combinations of traditional Australia music and Western Europe music basics, various composing techniques of 20th and 21th centuries – all these elements are twisted together with free improvisation, electronic music elements, electroacoustics, avant-garde jazz, experimental music, academic avant-garde and many other similar elements. Their music is very interesting and extraordinary in many aspects – especially in form, structure, harmony, composing style, playing techniques, stunning and modern instrumentation and other things. Various forms of jazz, free improvisation and basic elements of Western Europe music contain the basics of the compositions. The form of “North of North” trio compositions is constructed from the open and free forms of avant-garde jazz, difficult and strict mathematical formulas, classical forms of Western Europe music and various modernism elements. As a result, free and constantly changing form is created – it’s the main element of their compositions. The authentic synthesis between various sounds, music styles, modernism and post-modernism, expressionism, free improvisations, experimental music, avant-garde jazz and various hybrid forms and styles of music are gently fused together in one place. It makes an effort to effective, expressive and modern sound.

The music of this album is constructed from many different pieces, which are highly contrasting with each other. The musical material is individually created by each musician. It has its own style, playing manner, composing techniques and other similar elements of musical language. The composition “Church of All Nations” is recorded in this album. It has 3 different parts, which differ from each other. The music is full of sudden and drastic stylistic changes, virtuosic and expressive solos, passionate and spontaneous free improvisations and organic synthesis of various music styles. Scott Tinker trumpet melodies are bright and vivacious. The most effective and important elements are expressive, vivacious and passionate melodies, wild fast, furious and rapid solos, colorful and vibrant passages, roaring, harsh and extremely loud blow outs and unusual timbres. Musician is trying out new ways of playing – his music is full of contrasts, free improvisations, fascinating musical experiments and innovative instrumentation. His music is suggestive, effective, vibrant, energetic and expressive. Anthony Pateras piano solos also are especially expressive, bright, vivacious and striking. Pianist is fusing wide range of different playing manners and extended techniques. The traditional playing manners of contemporary academical music are fused together with free improvisation, turbulent and spontaneous solos, vivacious and harsh melodies, sharp dissonance harmony, dynamic rhythmic and expressive melodies. The music has rich and bright musical pattern, which is is based on contemporary academical music, modernism, expressionism and free improvisation. The relations with avant-garde jazz and various intnations with bebop, post-bop, hard-bop ans other modern jazz styles also are heard in this album. Erkki Veltheim electric violin melodies bring electroacoustic music elements. His music is active, full of stunning musical experiments, modern and innovative instrumentation, special and unique sounds, colorful and extended playing techniques. Traditional playing techniques are synthesized together with new and unusual ways of playing. Dramatic and expressive violin solos, modified and alterated sounds, special effects, the elements of electronic music, eclectic combinations and dozens of different moods, characters and playing techniques- all these elements are gently combined together in electric violin improvisations. The music is the marvelous synthesis between many different music styles, expressions and playing techniques – by switching between contrasting moods, extended playing techniques, forms, free improvisation, avant-garde jazz and contemporary academical music, trio creates innovative, interesting and original sound.


Martin Küchen & Anders Lindsjö – “The Stork & The Chimp” (Konvoj Records, 2018)

“The Stork & The Chimp” is the newest release of “Konvoj Records”. Album was recorded by two interesting and creative jazz masters – it’s Martin Kuchen (soprano and sopranino saxophone, snare drum) and Anders Lindsjo (semi-acoustic and acoustic guitar). Both musicians are expenrienced and talented jazz masters. Their music is full of interesting musical decisions, expressive solos, inventive and modern musical expressions, experimental ways of playing and sounds experiments. All these elements are merged together in one place very effectively and organicaly. Through the years of creative activity, musicians had created and masterfully improved the original and interesting playing manner and unique sound. Music is based on avant-garde jazz, repetitive melodic and rhythmic elements, which are connected together with dynamic and turbulent bursts of energy. Repetitive and monotonic melodic elements and rhythms create a meditative, suggestive and effective sound. Then it’s combined together with roaring, harsh, sharp and aggressive solos, colorful and strange timbres and wide range of different playing techniques, it gets energetic, extraordinary, vibrant and interesting sound.

The music of “The Stork & The Chimp” has interesting and original sound. Both musicians like brave, fascinating and charming musical experiments. They also try to extract new and interesting timbres. Their music has interesting, rich, colorful and evocative musical pattern. It’s based on many different independent and colorful melodies, expressions, timbres, innovative playing techniques and dynamic rhythms. The music is based on many different intonations – musicians masterfully fuse together avant-garde jazz, traditional elements of Asian countries music, the intonations of modern jazz styles, contemporary academical music, Western Europe music and free improvisation. This masterful synthesis between absolutely different music styles, expressions, countries and cultures are organically fused together in one place. Musicians not hesitate to make inventive, provocative and xtravagant musical deciisons. They are trying out new ways of playing and fusing them with traditional ones. Mrtin Kuchen saxophone melodies are especially expressive, striking, vivacious and dynamic. Saxophonist masterfully fuses together vivid, expressive and rapid solos, virtuosic and energetic passages, roaring, harsh, furious and marvelous blow outs, repetitive and monotonic melodic intonations and rhythms. He also creates a colorful and gorgeous background, which is made by colorful, strange and weird sounds and timbres. Saxophonist masterfully switches between different moods and expressions – music is full of sudden and dynamic changes of styles and moods. Joyful, playful and vivacious solos suddenly turn out to very sharp, rigorous and aggressive, dramatic and turbulent bursts of energy or very silent, meditative and peaceful episodes. It’s impossible to prognose, where is his music is going to turn next – each mood, stylistic turn bring new color to whole music. Anders Lindsjo guitar melodies are filled with strange sounds, interesting and inventive musical experiments, original and colorful musical decisions and innovative improvising manner. Interesting sounds, expressive solos, subtle, meditative and monotonic moods or very dramatic and turbulent solos – all these elements are joined together especially organically and naturally. The extraordinary sounds of semi-acoustics bring colorful and modern sound to whole album. Both musicians are using wide range of different playing techniques, eclectic, interesting and effective instruments combinations – dynamic, interesting and free guitar solos, expressive and turbulent saxophones improvisations are mixed together with semi-acoustics, drums, free improvisations and sudden changes of moods and characters. The music of this album has suggestive, effctive and original sound.

Lana Trio – “WITH SOFIA JERNBERG” (Clean Feed, 2018)

“WITH SOFIA JERNBERG” was released by “Clean Feed Records”. It’s a great album recorded by “Lana Trio” and Sofia Jernberg. The musicians, who are improvisaing in this album, are masterful and talented jazz masters – it’s Henrik Munkeby Nørstebø ( trombone), Kjetil Jerve (piano), Andreas Wildhagen (drums and percussion) and Sofia Jernberg (voice). The music by these musicians, is based on spontaneous musical decisions and free improvisations. It’s totally based on avant-garde jazz, but also has some relations with other music styles. The elements of bebop, hard-bop and post bop are heard very strongly, especially in the rhythmic section. Mild intonations of academic avant-garde, experimental music, contemporary academical music also are used here, but it’s organicaly mixed with avant-garde jazz. The sound of academic avant-garde and other similar music styles is created by using some specific expressions and playing techniques – modern and innovative playing techniques, electronics, special effects and other similar elements of contemporary academical music, are used here and synthesized with experimental ways of playing and free improvisation. Music by these creative jazz masters has remarkable, fresh and evocative sound.

“With Sofia Jernberg’ is based on interesting and original musical decisions and dynamic sound. Mostly, it’s based on free improvisations and spontaneous solos, but also has some peaceful and calm excerpts, unpredictable stylistic changes and especially rich and colorful musical language. The synthesis of vocal and instrumental improvisations is made here. Expressive and passionate instruments solos, remarkable and impressive melodies, sharp harmony, special effects and huge range of colorful and weird sounds are brightly and colorfully fused with free, fresh and evocative vocal improvisations. Sofia Jernberg voice improvisations are dynamic, emotional and expressive, based on inventive musical decisions and experiments. Vocalist uses especially wide spectre of extended playing techniques, experimental ways of playing, colorful expressions, and rhythms. She switches between different moods and emotions very suddenly and creates a contrasting and colorful sound. Imitations of various instruments, haloos, hoots, hallows, calls, shouts, whoops and other similar elements create extraordinary and effective sound. It’s also make an effort to whole sound of the album – makes it more colorful, live, original and bright. Voice improvisations are independent from the instruments – free, extraordinary and colorful solos are especially expressive, contrasting and innovative. Henrik Munkeby Nørstebø bright and loud trombone melodies bring powerful and vibrant sound, solid and static melodies and firm bass line to the compositions. His solos are filled with static and monotonic rhythmic, deep and solid melodies which are connected with the opposite – expressive, colorful, rapid and vibrant solos. Trombone melodies are ornamented with huge range of special effects, colorful and weird sounds and full of original stylistic waves. Kjetil Jerve piano melodies – especially expressive, mooving, virtuosic and frantic. Expressive and emotional solos, marvelous and charming passages, vibrant, energetic and frantic free improvisations, dissonance harmony – all these elements make an effort to rigorous, sharp, active and energetic sound. But his improvisations also are filled with calm, relaxing, peaceful and silent solos – it’s lyrical and subtle mood, abstract musical pattern and it’s based on weird timbres and sounds. Andreas Wildhagen drums and percussion section is full of everything – loud, frantic and furious solos, free and turbulent improvisations, colorful and gorgeous timbres, various rhythmic forms, monotonic and static rhythmic which is fused together with expressive and dynamic – all these elements are connected together in one place. The drums section is full of inventive musical decisions, innovative and impressive musical experiments and has colorful, expressive and dynamic sound. The music of this album has original, extraordinary and remarkable sound.

Alexander von Schlippenbach – Globe Unity Orchestra – “Globe Unity – 50 Years” (Intakt, 2018)

“Globe Unity – 50 Years” is one of the newest release of “Intakt Records”. The album was recorded by Alexander von Schlippenbach and “Globe Unity Orchestra”. This huge avant-garde jazz ensemble is one of the most famous and interesting collectives of Europe avant-garde jazz history. The best, the most creative and innovative jazz masters are playing together – they are improvising spontaneously, expressively and extraordinary. The improvisations are based on eclectic combinations of various music styles – avant-garde, modern,k traditional jazz, experimental music, intonations of dance music, ethnic music elements of various countries and many other music styles are gently combined together in one place. The musicians are trying out new ways of playing – they are experimenting in timbres, sounds, expressions and playing techniques sections and are willing to create extraordinary, interesting and original sound. Even though, their music is based on different combinations of various music styles, the main basic is avant-garde jazz and free improvisation. The ensemble hass all the main elements of Europe avant-garde jazz. They gently fuse together the traditions of Europe and American avant-garde jazz and other music styles which were already mentioned. The music has astoniching, remarkable and expressive sound.

The music of “Globe Unity – 50 years” is based on free improvisation, spontaneous solos, musical experiments and bright sound. The musicians are improvising creatively and expressively – each of them tries out new and innovative ways of playing, original and inventive musical decisions, makes pleasant, eclectic or very strange equations of styles, expressions and other musical language elements. Their music is full of surprises, has especially expressive and vivacious sound. All the musical material of this album is based on polyphonic musical pattern. It has very bright, independent and modern melodic section and dynamic, firm and vibrant rhythmic. These two basics are the opposites to each other – it’s based on different musical expressions, chords, rhythms and other elements. The melodic section has very bright, loud and vibrant brasses, expressive, touching, striking and harsh reeds and passionate piano, which melodies are played by avant-garde jazz legend Alexander von Schlippenbach. Reeds melodies are filled with expressive solos, vivacious, virtuosic and rapid passages, harsh, sharp, powerful and intense blow outs, colorful glissando, marvelous solos and spontaneous improvisations. All the wide range of different playing techniques, experimental ways of playing is uased here. That makes an effort to huge variety of unusual timbres and sounds. Very moving, rapid and passionate reeds are accompanied by extremely loud brass. Impressive and remarkable melodies, colorful and emotional solos, touching melodies and fascinating musical experiments are gently fused together in one place. Each improvisation is based on difficult and constantly changing rhythmic and has an interesting and evocative musical language – inventive, vivacious, vivid and dynamic melodies by reeds, brass or piano are effectively and organically colored by wide range of different timbres, unusual sounds and very solid, independent, firm and deep bass line. Piano melodies are filled with passionate, wild fast and expressive arpeggios, virtuosic passages, sharp, harsh and rigorous chords and dynamic rhtyhmic. It;s based on especially expressive and spontaneous solos, dynamic rhtyhmic and dissonance harmony. Pianist switches between various moods, expressions, playing techniques, music styles and playing manners and connect together absolutely different music styles. The melodic section is colorful, filled with spontaneous solos, innovative and creative free improvisations and make an effort to whole sound of the album. It brings effective, expressive and remarkable sound. The rhythmic section is very colorful and interesting. Static traditional jazz rhythms, dynamic, sharp and rapid modern jazz forms and free, spontaneous, harsh, dramatic and powerful free improvisations are the basic elements. The musicians are fusing together the rhythms of different msuic styles – along with jazz styles, it’s heard the rhythmic intonations of contemporary academical music, experimental music, ethnic rhythms of various countries music, Afroamerican music, dance music and many other similar elements. Rapis, loud, moving andintensive rhythms are the basics – when they are connected in one place at the same time with expressive and loud, solid and effective melodic section, especially bright, evocative and turbulent sound is created. The musicians are switching between various moods and making changes at musical pattern – from very joyful, rapid, expressive and passionate melodies this music turns out to silent and subtle, harsh and aggressive, very furious and active or get any other similar mood an character. This album has remarkable and impressive sound.

The musicians of “Globe Unity Orchestra”:

Henrik Walsdorff: alto saxophone
Ernst-Ludwig Petrowsky: alto saxophone, clarinet, flute
Daniele D’Agaro: tenor saxophone, clarinet
Gerd Dudek: soprano and tenor saxophones, clarinet, flute
Evan Parker: tenor saxophone
Rudi Mahall: bass clarinet
Axel Dörner: trumpet
Manfred Schoof: trumpet, flugelhorn
Jean-Luc Cappozzo: trumpet
Tomasz Stańko: trumpet
Ryan Carniaux: trumpet
Christof Thewes: trombone
Wolter Wierbos: trombone
Gerhard Gschlössl: trombone
Carl Ludwig Hübsch: tuba
Alexander von Schlippenbach: piano
Paul Lovens: drums
Paul Lytton: drums

Rodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano – “A History of Nothing” (trost records, 2018)

“A History of Nothing” is a new release of “trost records”. Album was recorded by four outstanding jazz musicians – Rodrigo Amado (tenor saxophone), Joe McPhee (pocket trumpet, soprano saxophone), Kent Kessler (double bass) and Chris Corsano (drums). These four musicians are full of interesting and inventive ideas, have original playing manner and unique playing style. Their music is always totally based on avant-garde and experimental jazz, free improvisation and smooth elements of various modern jazz styles. Their music is filled with spontaneous, expressive, passionate and touching improvising. Interesting musical decisions, rich, modern and evocative musical pattern, wide range of different musical expressions, original musical language are gently fused together with stylistic waves, experimental ways of playing, searches of unusual sounds and timbres and other similar elements. Musicians like to experiment in all sections of musical language – they are trying to expand the usual technical abilities of their instruments and go out of zone of traditional sound. Marvelous syntheisis of all these elements, which were already mentioned, makes an effort to remarkable, impressive and original sound of their music.

The music of “A History Of Nothing” is filled with spontaneous musical decisions and sudden stylistic waves. The improvisations are based on organic synthesis between various jazz styles. The main basics of avant-garde jazz and free improvisations are the main part of each composition. Expressive, evocative and vivacious improvisations, marvelous, glamorous and impressive solos, free and spontaneous musical decisions, experimental ways of playing, open forms, dissonance harmony and dynamic rhythmic – all these elements keep bright and strong influence of avant-garde jazz. Even though, the relations with other jazz styles also are heard. Rapid and dynamic rhythmic, dsharp and aggressive harmony, furiously fast and virtuosic passages, expressive and emotional playing manner bring the colors of bebop, post-bop, hard-bop and other similar modern jazz styles. Some intonations of contemporary or even traditional jazz styles also are heard – it’s used especially softly and mild, are organically mixed together with other jazz styles. Monotonic rhythmic, soft and lyric sound, meditative mood, slow temp, quadratic and dtrict structure, monotonic and same rhythmic – these elements are also used from time to time and bring the intonations of contemporary and traditional jazz. This music contains wide range of different colors, senses, tones, moods and expressions. Musicians masterfully switch between various playing manners, ways of playing and styles. Rodrigo Amado saxophone and Joe McPhee pocket trumpet and saxophone melodies form solid, firm and colorful melodic section. Musicians are talented masters of their art – they have an impressive ability to fuse together contrasting episodes, mix together different forms, rhythms and expressions and reveal their own and unique playing manner. Saxophones improvisations are filled with expressive, vivacious, rapid and vivid solos, wild fast and virtuosic passages, rigorous, sharp and aggressive blow outs, turbulent and dramatic culminations. The music is changing – from rapid, turbulent, powerful and intense it gets to very calm ,relaxing and peaceful. From the simple and quadratic form, consonance harmony and monotonic rhythmic compositions turn out to sharp, vibrant, extremely loud and aggressive solos, disonance harmony and constantly changing rhythmic. Expressive, moving and spontaneous improvisations are based on free and inventive musical decisions, fascinating musical experiments, remarkable sound and huge range of colorful and strange timbres. Kent Kessler double bass melodies are more subtle and calm – deep and monotonic bass line, repetitive tones, simple quadratic form and monotonic rhythmic are the main elements of a part of his compositions. Calm, relaxing and peaceful double bass has the other side, which is absolutely contrasting. The culminations of the compositions are the most effective and passionate episodes. Expressive, rapid, striking and energetic melodies are filled with extravagant and provocative musical decisions, free and spontaneous improvisations, unusual and colorful sounds and musical experiments. Chris Corsano drums section is very colorful and expressive. Just like the improvisations of other instruments, drums section is based on contrasts. The great synthesis between slow and rapid tempos, monotonic and dynamic rhythms, sharp, aggressive, rapid and expressive solos or turbulent and spontaneous improvisations – all the rhythmic elements of various jazz styles are fused all together in one place. It’s mixed together with sound experiments, original and unique playing manner and impressive improvising. The music of this album is a great combination of different styles, musical language elements, playing techniques and sounds, which are masterfuklly and creatively mixed together by impressive and great improvisers.

Marty Ehrlich|John Hebert|Nasheet Waits – “Trio Exaltation” (Clean Feed, 2018)

“Trio Exaltation” is another new release by “Clean Feed”. Album was recorded by Marty Ehrlich (alto sax, clarinet, bass clarinet, wooden flutes), John Hebert (bass) and Nasheet Waits (drums). The music of these musicians is based on different music styles. Each of them has an interesting and original playing manner. Exotic sounds, eclectic combinations, strange, provocative and extravagant musical decisions and improvisations in-the-spot – that’s just a part of their improvisations. The compositions usually have rich, evocative and interesting musical language, which is formed by extended playing techniques, excerpts of the famous jazz themes by modern and avant-garde jazz masters and dozens of colorful, modern and passionate playing manners, expressions, sounds, dynamics and rhythms. The musicians are trying out new ways of playing – they are concentrating in search of unusual sounds and timbres and expansion of traditional abilities of their instruments. Improvisations always are folled with brave and noisy musical experiments, colorful and dynamic changes and have remarkable and interesting sound.

The music of this album is based on synthesis between avant-garde jazz and various modern jazz styles. Rich and modern musical language formed by polyphony and interesting melodic section. Original themes by each musician are mixed together with famous, beautiful and the most effective themes of various great jazz masters. The marvelous synthesis between bebop, post-bop, neo bop, hard-bop, free jazz, creative and experimental jazz are synthesized with unique playing manners by each musician and interesting sound. Musicians are revealing their masterful abilities – their music is full of brave and evocative musical decisions, have colorfu, effective and innovative instrumentation and bright sound. All musicians are improvising with passion and especially expressive – their music is full of active, rapid and vivid solos, which are changed silmunateously. Marty Ehrlich reeds melodies give us a wide spectre of different colors, tones and sounds. Expressive and turbulent saxophones, vivid and rapid solos of clarinets, deep and vibrant bass lines, dynamic rhythmic and sharp harmony form the basics of his improvisations. Bright and loud clarinets are contrasting with expressive and vivid saxophones – these instruments are used silmunateously and effectively go along together. Soft, gorgeous and interesting flutes are the opposites for harsh, dramatic, turbulent, vibrant and intense blow outs of saxophones and clarinets. Deep and static bass lines played by bass clarinet, form solid rhythmic basement. Musician masterfully switches between different and contrasting tones, sounds, manners, expressions, experimental and traditional ways of playing – all these elements are mixed together and bring effective and remarkable sound. John Hebert bass improvisations reveal the other side of these compositions. Subtle, calm and silent solos, deep and repetitive bass lines, quiet and soft sound – all these elements are the main part of his improvisations. It has effective, vibrant and interesting sound and create a bright contrast between reeds and drums. Bass improvisations also have the culminations – it’s based on expressive and vibrant solos, rapid and active passages, colorful pizzicato and dynamic rhythmic. The dramatic and active mood is created by using dozens of different playing techniques. Drums section by Nasheet Waits is colorful, bright and expressive. It’s based on contrasts = calm and relaxing pieces are combined with expressive, loud and passionate solos. Dynamic, rapid and constantly changing rhythms and rhythmic figures are fused together with repetitive, monotonic and peaceful rhythms. Musician is the master of fusing all these different elements of musical language in one place = he travels between different moods, senses, expressions and playing techniques and likes brave and innovative musical decisions. The music of this album has interesting, impressive and remarkable sound.

Der lange Schatten – “Concurrences” (Trouble In The East, 2018)

“Concurrences” was recently released by “Trouble In The East” records. The album was recorded by “Der lange Schatten” – it’s the trio of great avant-garde jazz masters. The members of this trio has been playing together many years – it’s Håvard Wiik (piano), Michael Thieke (clarinet) and Antonio Borghini (bass). The music of this trio is fyll of contrasts and has a dynamic sound. Rigorous and aggressive blow outs, contrasting and colorful changes, expressive solos and impressive melodies – all these elements are merged together with free improvisation and basic elements of avant-garde jazz. The music always is based on synthesis between various jazz styles – basics of avant-garde jazz are masterfully fused together with bebop, post-bop, neo-bop and other modern and contemporary jazz styles. Huge range of extended playing techniques, colorful and modern expressions, free and fascinating musical experiments and pleasant surprises create rich and interesting musical pattern. The trio had been playing together long time – through these years they had created original and interesting playing manner and unique sound.

The music of this album is based on synthesis between various jazz styles. Avant-garde and experimental jazz, the intonations of contemporary academical music are fused with various modern jazz styles. The compositions have rich and evocative musical pattern – it’s formed by colorful solos, expressive and extended ways of playing, huge range of musical expressions, dynamics, chords, rhythms and other musical language elements. All these elements melt in one place and help musicians to create extraordinary and interesting sound. Even though the compositions are based on free improvisation, spontaneous solos, musical experiments and search of unusual timbres, it still has many relations not just with modern jazz, but also with contemporary and traditional jazz styles. Smooth, static, calm and relaxing solos are based on simple melodies and montononic rhythmic – this tendency is kept especially in the first part of the album. The bright intonations of contemporary and traditional jazz are heard strongly in first and seconde compositions of these album. It create peaceful and relaxing sound, which is connected with absolutely different sound. Wild fast and roaring blow outs, aggressive and sharp solos, expressive and remarkable melodies, turbulent improvisations, spontaneous, extraordinary and weird musical decisions and strange timbres – all these elements create the basics of the album and create the contrast between avant-garde jazz and contemporary, modern and traditional jazz. The musicians are trying out new and interesting ways of playing – their improvisations are full of extended and inventive ways of playing which are mixed together with traditional expressions. The mood of this album is always changing – musicians are the masters of improvising and switching between various tones, sounds, timbres and expressions. From the soft and calm music suddenly changes to exotic and turbulent, romantic, emotional and expressive, or very rigorous and aggressive. The most effective places of the improvisations are the culminations – usually it’s based on free improvisations, dynamic rhythmic and roaring, wild fast, harsh and expressive solos. Musicians do their best to express wide palette of different tones, strange timbres and expressions – that’s why their music is constructed of many different pieces, which are highly contrasting with each other. Remarkable and passionate piano melodies, virtuosic and fascinating arpeggios, sharp and dissonance harmony, harsh and aggressive chords, dynamic rhythmic, ,marvelous bass and clarinet solos, vibrant and solid rhythmic section, roaring and turbulent clarinet blow outs and passionate melodies – all these elements make an effort to impressive and evocative sound.