Matt Lavelle & Reggie Silvester – “Retrograde” (ESP Disk, 2018)

“Retrograde” is the newest release of “ESP Disk”. Album was recorded by two great jazz masters – Matt Lavelle (trumpet, fluegelhorn, alto clarinet) and Reggie Sylvester (drums). Both musicians are famous and creative members of avant-garde jazz scene. Inventive and fascinating musical decisions, original and bright instrumentation, innovative musical language and unique sound – the are the most important element of their both playing styles. The music is totally based on free improvisation and avant-garde jazz. Both musicians are improvising free and spontaneously for the most of the time. They are taking on eclectic and strange stylistic combinations, musical experiments and creating an innovative, bright and passionate sound. They had been improvising together with other famous avant-garde jazz masters – together they create powerful, suggestive and new avant-garde jazz, which is based on flowing solos, passionate and expressive melodies, extravagant and provocative musical decisions and rich musical language.

“Retrograde” reveals all the main elements of both musicians playing styles. It also shows their talent to improvise colorfully, dynamically and especially brightly. The music is filled with rich, variable and innovative musical language. Huge range of extended playing techniques, unusual sounds, weird timbres and strange combinations of chords and pitches contain the basic of the musical pattern. Compositions of the album are full of interesting and inventive musical decisions, bright and vibrant solos and sparkling musical experiments. Musicians are paying the highest attention to the search of unusual sounds and new ways of playing – they are dedicated to search, try out and extract new, fresh and evocative timbres. That’s the main reason why this music is so interesting, warm and dynamic. The musical pattern has many different layers. They are the opposites to each other in all aspects – each of them has its own color, theme, melodic and rhtyhmic section and gorgeous background. Many-layed musical patterns are the main element of both musicians musical language. Matt Lavelle trumpet, flugelhorn and alto clarinet melodies are especially expressive and bright. The improvisations are based on many different elements – there are many vivacious, tremendous and vibrant blow outs, bright and ex[ressive melodies, remarkable and passionate solos, extremely rapid passages and terrific musical experiments. All these elements form active and expressive mood of most part of the compositions. Expressive and bright elements are mixed together with their opposites – there are some relaxing, peaceful and soft places, which are based on abstract musical pattern, the extraction and production of weird sounds and search of innovative ways of playing. These episodes reveal the other side of the album – it brings soft, warm, gentle and light sound to the compositions. It also show the masterful ability of musician to switch between various moods in natural, warm and dynamic way. The playing manner of Matt Lavelle is based on free improvisation, avant-garde jazz and strong influenced by modern jazz styles. Especially expressive, active, aggressive and rapid and dynamic solos, provocative and diffivult rhythmic, sharp, harsh and bright sound – all these elements are heard frequently in Matt Lavelle improvisations. Musician masterfully combines these elements with bright and turbulent free improvisations, own and specific playing manner and unique sound. That makes an effort to remarkable, sparkling and marvelous sound. Reggie Sylvester drums section is filled with stunning musical experiments, innovative instrumentation decisions and turbulent improvisations. The music is totally based on free improvising, experimental and modern jazz styles synthesis. Drummer masterfully passing through different moods and expressions, characters, rhtyhmes and other musical language elements. He’s using his own and unique ways of playing, specifique playing manners, which are combined with traditional and experimental musical decisions, expressive and bright musical language and sudden, effective and driving stylistic changes. Solid, independent and suggestive rhythmic section is filled with turbulent and free improvisations, bright and extremely loud bursts of energy, dramatic and powerful beats, loud drum rolls, colorful and energetic tremolo, vibrato, glissando and many other elements. The music of this album is based on marvelous and impressive improvising – it makes an effort to remarkable and innovative sound.

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Gene Pritsker Sound Liberation – “Rite Through An Eclectic Spectrum” (Composers Concordance Records, 2018)

“Rite Through An Eclectic Spectrum” is the new release of “Composers Concordance Records”. Album compositions were recorded by “Gene Pritsker’s Souns Liberation”. The music of this ensemble is based on synthesis between experimental jazz, avant-garde jazz, rock and avant-rock music and contemporary academical music. Musicians are using many different intonations of modern classical music, 20th century music, academic avant-garde and experimental music. All these elements are masterfully mixed together in one place. Especially bright and wide variety of contrasting music styles and genres gives unique, special and interesting sound. Music of ensemble has modern and innovative musical language – it’s filled with rich, extravagant and extraordinary musical decisions, bright and sudden stylistic waves, gorgeous and vivid surprises and many other elements. Musicians are mixing together absolutely different music styles – academic avant-garde, basics of expressionism, impressionism and modernism organically and gently fit together with academic avant-garde, fascinating sound experiments, free improvisations, stunning and expressive solos or hard rock beats. Marvelous and organic synthesis gives original and unique sound to the ensemble improvisations – the most part of them is arranged and composed by Gene Pritsker.

“Rite Through An Eclectic Spectrum” has interesting and unique sound. All compositions of this album are based on synthesis of avant-garde and experimental jazz, contemporary academical music and the most effective and famous citations and excerpts of Igor Stravinsky ballet “The Rite of Spring”. This composition frequently is called one of the most famous, suggestive and modern work, written by Russian composer Igor Stravinsky. The ballet has exceptional and rich musical language, many-layed facture, synthesized form and colorful harmony. The elements of modernism, expressionism, post-impressionism and various styles of 20th century music of Western Europe and Russia are combined in one place. Ballet has many episodes, which are the most effective, beautiful and original masterpieces, frequently used by jazz musicians, ensembles and other players. The compositions of “Rite Through An Eclectic Spectrum” were arranged for ensemble by composer and great improviser Gene Pritsker. Talented and famous improviser masterfully mixes together absolutely different and interesting music styles and other elements of musical language. The basic episodes of the ballet are combined, arranged and modified in a modern, innovative and creative way. Very-well known pieces get another sound – effective and especially expressive episodes are connected with the basics of rock and avant-garde rock, modern and experimental jazz, academic avant-garde and various styles of experimental music. The musicians of ensemble not hesitate to change most part of the original excerpt – quadratic and strict structure is changed by open form, drastic, harsh and sharp sound and stunning solos. Hard beats of avant-rock, suggestive musical experiments, bright and colorful harmony, spontaneous and turbulent solos, expressive, remarkable and impressive melodies, made in the spot – all these elements are just a little part of the basic of the improvisations. Gene Pritsker gives us an opportunity to hear new and adventurous version of “The Rite Of The Spring”. The musicians are not playing whole ballet – they are using just the most beautiful, gorgeous and impressive episodes of this composition. The music has evocative, bright and extravagant sounds – expressive solos, bright and vivid melodies, vibrant and loud blow outs, tremendous and sparkling riffs, hard core beat, strict and solid rhythms of rock and avant-garde rock form the basement of this music. Original citations and excerpts of the ballet are inventively modified – composer reveals all his talent and masterful ability by doing this composition. Effective and gorgeous melodies are gently blended in one place with hard, energetic and vibrant rock solos, experimental jazz improvisations, provocative and difficult rhythms of modern jazz, fascinating and marvelous sound experiments. That is made in original, effective and inventive way. The music of this album has remarkable and bright sound – it gives us the exceptional opportunity to hear out loud new and evocative improvising, which is beautifully and gorgeously connected with the basics of “Rite Of Spring”.

Joe McPhee/John Edwards/Klaus Kugel ‎– “Journey To Parazzar” (Not Two Records, 2018)

Journey To Parazzar (CD, Album) album cover

“Journey To Parazzar” was released this year by “Not Two Records”. Album was recorded by three great jazz masters – Joe McPhee (tenor saxophone, trumpet), John Edwards (double bass) and Klaus Kugel (drums). All the compositions were recorded at the concert in Ukraine, where musicians had been having their tour of the concerts. Three musicians have interesting and passionate playing styles. Their music is always filled with splendid musical decisions, stunning sound experiments, rich, colorful, modern and effective instrumentation and evocative musical language. The music always is based on free, creative, experimental and other avant-garde jazz styles synthesis. Musicians are improvising inventively, free and creatively – they fuse together bright, harsh and contrasting elements and melodic intonations. That makes an effort to thrilling, stunning and bright sound. Trio had been improvised together many times – they are concerting together as a trio or with other famouos jazz musicians in various cities, collaborating and preparing various projects. All three of them are active, famous, interesting and original members of avant-garde jazz scene.

The compositions recorded in “Journey To Parazzar” are interesting and expressive. The music is based on bright, expressive and emotional musical language, polyphonic musical pattern and impressive, sensible and effective improvising. The improvisations have stunnign and glamorous sound because of many reasons. Musical pattern is based on polyphonic facture, open form, polyrhythmy, polyharmony, also has especially huge variety of unusual timbres and sounds. Dozens of various musical expressions, rhythms, sounds, timbres, chords, scales and other elements are used together silmunateously. Musicians are using their own and specific ways of playing to join all these elements in the most effective and passionate way. The musical facture is based on contarasting musical episodes. They form and keep different and independent layers and sections. Colorful and bright melodic section has energetic, active, loud and independent melodies, which are highly contrasting with each other. Thrilling and furiously fast passages, virtuosic roulades, energetic, harsh, roaring and intense blow outs, bright and passionate solos, splendid and impressive melodies – all these elements gorgeously illustrate whole melodic section and accent the most beautiful and effective episodes of free improvisations. Multinstrumentalist Joe Mcphee is improvising masterfully, emotionally and expressively. Just like in his other albums, musician is demonstrating and accenting the basic elements of his unique playing style. Specific and innovative playing manner helps musician to create effective and suggestive sound, huge variety of timbres and sounds, and finally – to create bright, intensive, thrilling and marvelous sound. Marvelous and wild fast solos are especially hot, expressive, bright and roaring explosions of energy. These episodes certainly are the most beautiful and interesting episodes of his improvisations. It’s created spontaneously and based on free, evocative and impressive improvising. Double bass improvisations also are effective and vivid. It effects melodic basement and rhythmic section. Vivid, bright, vivacious and energetic solos by John Edwards are played with passion and expression. It’s filled with stunnning solos, bright and spontaneous melodies, vivacious, gentle, playful and warm episodes. These episodes are mixed together and grouped along with aggressive, sharp, bright and extremely loud culminations and bursts of energy. Silent, monotonic, rhythmic and static bass line is solid and firm. It makes an effort to rhythmic section – makes it independent, bright and colorful. Harmonic section also is touched – double bass plays the tunes, which are the basic notes of chords and pitches. It states the main harmonic pattern and colors whole musical pattern and sound. The improvisations by two musicians make effective, contrasting, bright, solid and vivacious melodic section. It’s based on impressive and thrilling improvising in the spot, adventurous solos and colorful surprises, sudden changes of styles and innovative instrumentation. Rhythmic section is solid, firm, independent and bright. Klaus Kugel manages to create whole huge palette of different colors, timbres, tunes and sounds, which are produced by combining together eclectic combinations of instruments and sounds. Musician is improvising brightly, expressive and passionate. He has a masterful ability to fuse together enormous amount of different playing techniques, inventive ways of playing, stunning musical experiments, thrilling, hot and especially expressive solos, solid and monotonic beat, different forms of rhythms and provocative musical decisions. All these and many other elements contain solid, firm and bright rhythmioc section. The music of this album is totally based on avant-garde jazz, free improvisation, bebop, post bop, experimental jazz and various light intonations of other modern jazz styles. The music is created in the spot – it has free, bright, spontaneous, dynamic and splendid sound.

 

Wilkinson / Edwards/ Noble – “3 Of A Kind” (Bo’Weavil Recordings, 2018)

“3 Of A Kind” is the newest release of  “Bo’Weavil Recordings”. Album was recorded at live concert at “Iklektik” club. Three outstanding, talented and original jazz masters had improvised together – it’s Alan Wilkinson (alto, baritone saxophone, bass clarinet), John Edwards (double bass) and Steve Noble (drums). Unique and fascinating sound, engaging, energetic and turbulent solos, sharp, emotional and expressive playing manner and splendidly made effective and essential musical language – all these elements are the most important things of these three improvisers playing style. Musicians are always making experimental, effective and interesting musical decisions – their music is filled with furiously and wild fast passages, extremely loud and powerful blow outs, have rapid, active and inspiring mood and marvelous sound. The improvisations have all the basics of avant-garde and experimental jazz. The traditions of early experimental jazz contain important place at the musical pattern – the main forms, expressions and principes of 1960 avant-garde jazz are organically fused together with experimental playing techniques, own and unique playing styles and sounds by each musician. Trio had been playing together many times not as a trio, but also with other famous avant-garde jazz musicians.

“3 Of A Kind” is very expressive and energetic set of the improvisations. The music is formed by flowing and sparkling solos, bright, remarkable and energetic melodies, extravagant and extraordinary playing manners, sudden changes, rigorous and energetic explodes of energy and other similar elements. Rich, effective, colorful and modern musical language is created here. It’s based on many layers, which are the opposites to each other. Individual, solid and passionate melodic section is ranged against the dynamic, independent and bright rhythmic basement. Both sections are highly contrasting with each other – despite that, musicians masterfully connect them in one musical pattern. Dozens of extended playing techniques, experimental and innovative ways of playing, colorful, original and shocking expressions, eclectic stylistic combinations, different chords and many types of timbres and sounds – especially huge quantity of various musical language elements is integrated and connected together and repeated silmunateously. The elements are connected in creative, innovative and effective way – the main thing is to reveal the main color and function of each musical language elements. Effective, splendid and organic combination of musical language elements makes a huge effort to whole musical pattern and sound. All improvisations are based on free, creative and spontaneous improvising in the spot. Musicians are in search of new and unheard timbres – all three of them are using extended and innovative playing techniques to create huge range of strange and weird timbres. That helps them to form bright, colorful, gorgeous and fascinating background. The background colorfully and emotionally illustrates all musical language – it brings more impression, senses and emotions to melodic section and accents the most important and dramatic places. Various colouristic elements are used here – each timbre and sound organically joins common musical pattern. Sharp harmony is formed by aggressive, provocative, franky and weird sounds, dissonancive chords and extraordinary combinations of several sounds. All compositions have strong harmonic pattern, which, just like the other layers, is based on creation and improvising in the spot. Saxophones and clarinets melodies form especially effective, vibrant and bright reeds section. It’s filled with expressive and remarkable melodies, flowing, sparkling and luminuous solos in the spot, vibrant, extremely loud and intense blow outs, turbulent free improvisations and dramatic culminations. Alan Wilkinson’s improvisations are especially sensible, passionate and emotional. It’s based on main elements of avant-garde jazz, musical experiments, free form, open structure and bright musical langauge. Improvisations also have strong intonations of various modern jazz styles. Musician masterfully combines together bright, rapid and roaring explosions, silent, calm and relaxing pieces, gentle and light episodes and many other characters and moods. Reeds improvisations have a strong effect to whole sound – it turns the compositions to real roaring, wild, frantic and shrieky explosions of energy, filled with flowing, free and sparkling solos, effective and bright melodies and dynamic, complicated and difficult rhythmic. Double bass melodies form the other side of the compositions – it’s more subtle, deep, calm and dark. Tremendous and frantic solos are the most effective pieces of John Edwards improvisations – it sounds the most effectively in the turbulent and bright culminations of the album. Expressive solos, rapid and extremely virtuosic passages, sounds experiments, exlectic and innovative combinations of styles, sounds, manners and playing techniques – all these elements are highly contrasting with repetitive, dark and deep bass line. It’s made from repetitive and monotonic tunes, which are repeated silmunateously without stop in various places of the album. It gives bright, intense, loud and solid bass line. Drums section is filled with provocative and bright solos, frantic and loud fanfars, powerful and vibrant drum rolls, passionate, turbulent and rapid improvisations and outstanding musical experiments. Huge range of different moods is expressed by using many different ways of playing. Steve Noble surely knows how to make effective, splendid and innovative sound. He also uses specific ways of playing and makes spontaneous musical decisions. The music of this album was created by three outstanding musicians, which had been improvising marvelously, brightly and passionately. It creates inspiring, monumental and impressive sound.

Rachel Musson / Olie Brice – “Tapering Arms Point Into The Wind” (Weekertoft, 2018)

“Tapering Arms Point Into The Wind” was released this month by “Weekertoft”. Album was recorded by Rachel Musson (tenor saxophone) and Olie Brice (double bass). There’s not necessary to introduce any of these musicians – both of them are active, talented and creative members of contemporary, experimental and modern jazz scene. Each of them has dynamic, interesting and original playing style. Rachel Musson likes to take on extravagant and provocative musical decisons and make fascinating musical experiments. Her playing style is based on expressive and eemotional playing manner, contrasting and dynamical stylistic changes, innovative instrumentation and bright musical language. Olie Brice improvisations are filled with many different episodes, which are highly contrasting with the others. Dozens of different ways of playing, expressions, moods and sounds are mixed together in one musical pattern. Improviser has the ability to do it in effective, organic and creative way. The improvisations by both musicians are based on avant-garde and experimental jazz, it also have some relations with modern jazz styles. The compositions have remarkable, energetic, expressive and vivid sound.

“Tapering Arms Point Into The Wind” compositions are based on interesting and innovative musical decisions, modern and experimental instrumentation, huge amount of unusual sounds and bright solos. All these elements make an effort to strong, solid and independent melodic and rhythmic sections. Music has rich and modern musical language, which is constructed by many layers. Contrasting and especially colorful musical pattern is created. Different kinds of expressions, musical expressions, modern and experimental ways of playing are used here. Both musicians are experimenting and searching for new ways of improvising – they like to take on risky and adventurous musical decisions, strange and specific playing ways or frantic, harsh, energetic and extremely loud solos. That gives an impression of unpredictable, dynamic and vivid playing manner, which is the most effecting remarkable and impressive sound of this album. Both impovisers are playing free, passionately and expressively. Frantic, harsh, turbulent and bright solos are twisted with silent and relaxing pieces, sudden abruptions, vivid, playful and light improvisayions or subtle and abstract excerpts. Saxophone improvisations are based on impressive, sensitive and expressive playing. This is the place, there meets together contrasting and eclectic musical language elements and sounds. Compositions are filled with bright, expressive and remarkable solos, eclusive, luminous, light and energetic improvisations, vibrant, harsh, shrieky and roaring blow outs, splendid and impressive riffs – all these elements are contrastingly and naturally illustrated by strange timbres, weird noises, innovative playing ways and abstract, silent and relaxing pieces. Double bass is dynamic and bright – abstract and free musical pattern, open form are filled with various kinds of rhythms, monotonic and repetitive tunes, deeo and dark sounds and extended variety of chords and other expressions. Deep and dark tunes are repeated without pauses in some episodes – it forms bright, independent and solid bass line. These episodes aren’t the main basic of bass improvisations – there are many effective and bright solos, which are the opposite to recently written pieces. Marvelous, frantic, harsh, wild and expressive passages, rapid and active mood, aggressive and sharp sound, fast tempo and expressive playing manner – these are the elements, which contain the most effective and gorgeous episodes of bass improvisations. Silent and abstract places of the album have specific and gorgeous sound, but it’s certainly not the most beautiful and effective places of whole album. Turbulent, bright, loud and harsh collective improvisations is the place, there both musicians are showing the maximum of their creativity and talent of inventive and expressive improvising. Independent melodies, bright and rich musical facture, vibrant, intensive, effective and passionate sound is made by remarkable, impressive and glamorous solos. Emotional, expressive and warm conversations between saxophone and double bass are the most beautiful episodes of whole album. It has exceptionally huge stylistic variety, marvelous and impressive instrumentation and evocative musical language. The music of this album has remarkable, bright, intensive and original sound – it as creatively made by two innovative and original improvisers.

Yong Yandsen/Daren Moore – “Towers of Silence” (Lao Ban, 2018)

Image result for yong yandsen TOWERS OF SILENCE

“Towers of Silence” is a new release by “Lao Ban” label. Album was recorded by a duo – Yong Yandsen (tenor saxophone) and Darren Moore (drums). Both musicians are interesting musicians, which have specific and extravagant playing style and sound. Their music is based on basics of avant-garde jazz, experimental music, strong intonations of contemporary academical music, academic avant-garde and mild intonations of modern jazz styles. Musicians always are prepared to try out new and weird playing techniques, shocking musical decisions or extravagant stylistic changes.  Both improvisers have a will to create extraordinary and original sound – that’s why they are improvising in new way and are taking on interesting musical experiments. Improvisations have rich musical language, colorful and exclusive musical pattern, which usually has many different layers. The shocking and supreme contrasts, bordering dynamics, expanded and huge variety of various expressions, effective and vibrant instrumentation – all these elements make the basics of both jazz masters improvisations. Even though musician’s playing styles are absolutely different from each other, they have something in common – vitality, brightness, strong and emotional expression and passion to cordial and inventive improvising are the most important elements of their playing style.

“Towers of Silence” has interesting, engaging and bright sound. Free improvisations by both musicians are filled with active, dynamic and rapid solos, abstract, relaxing and meditative pieces or turbulent and intensive culminations. There are so many stylistic changes – each episode or melodic intonation brings new and unheard sound or color. Because of especially huge and extended variety of styles, characters, moods and tunes it’s very hard to predict there’s this music is going to turn next. Musicians are the masters of improvising – they can organically and masterfully combine giant range of different elements of musical language. Playful, gentle and light solos are put against rigorous, sharp and aggressive bursts of energy. Bright, intensive and vibrant solos are highly contrasting with abstract, silent and relaxing episodes or pauses. These episodes usually have abstract musical pattern. which is filled with accidental separate tunes, repetitive sounds, monotonic rhythmic, sound experiments and huge variety od weird timbres. All these elements effect whole mood and sound – it brings relaxing and meditative mood to the compositions. Intensive and energetic episodes are filled with sparkling solos, bright and expressive melodies and dynamic rhythmic. All kinds of different rhythms are used here. Provocative and complicated rhythms of bebop, post bop and hard bop is joined together with free, spontaneous and turbulent rhythms of avant-garde jazz or other rhythmic forms, which are more associated to academical music, minimalism or academic avant-garde. The music is based on main elements of avant-garde jazz. The basics of free, creative and experimental jazz are used here and rest the most important elements in all compositions. Along with free jazz, there’s also are many episodes which are more related to bebop, post bop, neo bop or other style of modern jazz. These episodes are especially expressive, bright and rapid. Furiously fast solos, marvelous and sparkling passages, intensive and loud blow outs, effective and dynamic pieces, free structure and form – all these elements show the relation with modern jazz. Both musicians like to experiment in all sections of musical language. By using many extended and innovative playing techniques, they extract huge range of different, bright and weird timbres. That makes a relation with academical and experimental music. All kinds of innovative and experimental ways of playing are used here – musicians are creating their own playing techniques and mix them with very well-known ways of playing of modern classical music. The synthesis of all these elements gives effective result – rich, exceptional and sparkling instrumentation. Sparkling, expressive and intensive saxophone solos, abstract and free improvisations, spontaneous and dynamic solos gently fit together with solid, variable and active rhythmic section. This music is always changing and bright – it has remarkable, intensive and active sound.

Airs De Moyenne Montagne – “La Soustraction des Fleurs” (Umlaut Records, 2018)

Image result for airs de moyenne montagne la soustraction des fleurs

“La Soustraction des Fleurs” was recently released by “Umlaut Records”. Interesting, remarkable and expressive album was recorded by trio “Airs de Moyenne Montagne”. This trio is formed by three creative and talented musicians – Jean-François Vrod (violin, voice), Frédéric Aurier (violin, voice) and Sylvain Lemêtre (zarb, voice). The music is based on rich variety of various jazz styles, free improvisation and Arrabean music elements. Musicians always are searching for new and evocative musical decisions – they are trying out new ways of playing, colorful and specific musical expressions, drastic stylistic changes and other similar elements of musical language. Their music always is based on vivid, bright and expressive sound. Bright and amotional melodies are based on free improvisations and have especially sensible, rich and fresh background. The melodic intonations of Arrabean and Asian music are mixed together with Persian ethnical music elements. Musicians also are talented and virtuosic singers – their vocal improvisations are filled with specific playing techniques, innovative musical experiments, effective and vibrant solos and huge variety of unusual timbres. Organic synthesis of all these musical language elements, which were already mentioned, creates bright, original and splendid sound.

“La Soustraction des Fleurs” is based on all the main elements which represent the most specific and unique sound of this trio. Free collective improvisations, spontaneous solos, fascinating musical experiments, bright, moving, touching and expressive melodies, memorable and attractive pieces – all these elements are heard in the most part of this album compositions. Each musician is improvising differently from the others – their melodies have unique sound, specific and interesting playing manner, style and vivid musical language. Rich and polyphonic musical pattern is created by using dozens of different playing techniques and expressions. The main elements of Western Europe music are joined together with music of Asian and Arrabean cultures. That makes an effort to effective and inspiring sound. Polyphony, quadratic structure, traditional rhythmic forms, the elements of dances and usual forms of classical music are fused together with traditional elements of ethnic Asian, Arrabean and various Europe countries music. The melodic intonations of tzigan dances and other traditional pieces also are gently integrated together in one musical pattern. It’s only used in mild and soft way – exotic and specific intonations are masterfully connected together with strict form, monotonic rhythmic and sharp harmony of Western Europe music, free improvisation, microtonal music, basic melodic, rhythmic and harmonic intonations of Arrabean, tzigan and various Asian countries music. This rich, wide and especially colorful synthesis brings to the compositions unique, effective, exotic and marvelous sound. The musicians are improvising especially expressively and sensibly – their music is filled with sudden and provocative changes of styles, characters and moods. Musicians are masterfully getting through various moods and senses , which are highly contrasting with each other. Two violins melodies are especially colorful and based on difficult and colorful musical pattern. Marvelous, touching and charming solos, emotional and remarkable melodies, rapid and active mood, terrific, harsh and dramatic culminations, spontaneous, turbulent and intensive improvisations, astonishing sound experiments and many other elements contain the main basement of violins music. The conversations of violins are the most beautiful and effective episodes – both musicians are demonstrating their talent, using inventive and shocking musical decisions and taking on fresh, risky and adventurous musical experiments. That gives us original, rich and colorful musical pattern which is full of many different lays. The rhythms of zarb bring strong relation with Arrabean music. The main intonations of traditional Arrabean, Asian and tzigan music are used and masterfully connected together. That creates natural, exotic and eclectic combinations with Western Europe music, avant-garde jazz, world music, experimental music and free improvisation. All three musicians also are using vocal melodies. It’s gently fits together with all instruments. Voice improvisations are filled with inspiring solos, bright and impressive melodies, spontaneous improvisations and effective instrumentation decisions. Whole album is based on effective, eclectic and original synthesis between Western Europe, Asian and Arrabean music. Ethnic melodic and rhythmic intonations of Arrabean music gently go along together with Europe music, free improvisation, avant-garde jazz, experimental music and dozens of different elements of other musical language elements. That makes terrific, gorgeous, bright and interesting sound.